Writer-director Jeremy Hersh and his newcomer star Jasmine Batchelor hope their new film, The Surrogate, will provoke awkward questions
There are two films called The Surrogate. The first is a made-for-TV movie about an obsessive fan who cons her way into a writer’s life by carrying their baby.
“I’ve seen that movie,” says the director Jeremy Hersh, pulling a face. “I hope no one settles on that looking for this. It’s basically anti-women. The implication is that surrogates are crazy and calculating and out to steal some poor woman’s husband.”
When I think about queer representation, I want to make characters who are relatable because of their flaws
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